Overall the single needs to have more mixes. The track shows how little of the original was used in the mixes and sounds better as an individual track compared to part of the overall flow of the MCMXC a.D. This is literally identical to what appears on the album - a track with a heavy marching-like beat intertwined with flute sounds and female vocals sung in French and Latin. Also mixing the flute used in Sadeness part 1, the track works wonderfully and, unlike the Fading Shades mix, does not become repetitive. The idea is apparent - to make the track naughty in the sense of the sensuality and sheer sexualty it is trying to create. Focussing on the new chant used in the fading shades mix towards the start, it heads off to a disinctive beat which is hard to describe at the 55 second mark which is mixed heavily with female moans and groans. The Orthodox mix offers an eastern feel to the album. Regardless of this, though, it offers an effective and softer variation on the original. For my liking the track goes a bit too long, repeating itself a bit too often (you can only take the moans for so long!). What results is a track less focussed on a hard-hitting marching beat, and more focussed on the type of sensuality created in the first single, Sadeness part 1. It also has more of a focus on the female breathing, female vocals, and flute sounds, together with the introduction of an original male chant not contained on the album. The Fading Shades Mix uses much of the beat and instrumentation used on The Rivers of Belief. The second single from MCMXC a.D., Mea Culpa, offers some interesting variations on the original version.